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	<title>The Economy Press</title>
	<link>https://theeconomypress.com</link>
	<description>The Economy Press</description>
	<pubDate>Wed, 25 Mar 2026 03:05:04 +0000</pubDate>
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		<title>CATALOG</title>
				
		<link>https://theeconomypress.com/CATALOG</link>

		<pubDate>Tue, 18 Oct 2022 19:09:33 +0000</pubDate>

		<dc:creator>The Economy Press</dc:creator>

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	The Economy Press

	
	
	&#38;nbsp; Chicago, Illinois

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	<item>
		<title>HEIGHTS OF MACCHU PICCHU</title>
				
		<link>https://theeconomypress.com/HEIGHTS-OF-MACCHU-PICCHU</link>

		<pubDate>Fri, 06 Feb 2026 13:12:05 +0000</pubDate>

		<dc:creator>The Economy Press</dc:creator>

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	HEIGHTS OF MACCHU PICCHU


&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/720e5005e5fa531ed0ff1a8434c6f67e321c3afb4645b7afc8b61ff27baa02e1/spread-1-copy.jpg" data-mid="244766517" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/720e5005e5fa531ed0ff1a8434c6f67e321c3afb4645b7afc8b61ff27baa02e1/spread-1-copy.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/f6f4556aace751b2bfa26a123e24d6430177762a36be3120a36681cb7b9833a9/spread-2-copy.jpg" data-mid="244766519" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/f6f4556aace751b2bfa26a123e24d6430177762a36be3120a36681cb7b9833a9/spread-2-copy.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/e42094c8707ae04810589674096275f58f70452df51d7dde0d6f47843915c1f8/spread-3-copy.jpg" data-mid="244766520" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/e42094c8707ae04810589674096275f58f70452df51d7dde0d6f47843915c1f8/spread-3-copy.jpg" /&#62;
A new version of Heights of Macchu Picchu, translated by Katie Lateef Jan and Dean Rader, authorized by the Neruda literary estate.&#38;nbsp;
*Pablo Neruda’s Alturas de Macchu Picchu is a poem that distrusts solitary authority even as it passes through a single voice, moving from the lyric “I” toward a collective utterance grounded in labor, history, and shared breath. 
Producing the first collaborative translation of&#38;nbsp;Alturas de Macchu Picchu is not incidental but consonant with its deepest claims. Attentive to Neruda’s unique lyric pressure, this new English version resists the tradition of singular, authoritative renderings by allowing meaning, rhythm, and decision to emerge through dialogue and negotiation. 
In this way, the translation does not merely transmit Neruda’s poem but enacts its insistence that voice is a collective achievement, not a solitary possession.
 
*
“Neruda is the greatest poet of the 20th century - in any language.” –Gabriel García Márquez
*

Author: Pablo Neruda

Translators: Katie Lateef Jan, Dean Rader
Booklet, 38 pp, 7 x 5.25 in
Language: English 
ISBN:&#38;nbsp;979-8-234-02862-4Release Date: March 26, 2026
Publisher: The Economy Press


$20&#38;nbsp;︎︎︎Catalog
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		<title>THE END OF</title>
				
		<link>https://theeconomypress.com/THE-END-OF</link>

		<pubDate>Wed, 25 Mar 2026 03:05:04 +0000</pubDate>

		<dc:creator>The Economy Press</dc:creator>

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	THE END OF

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&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/791307d89c73961fae8adabd656da655d81cd69404fb7ae8ce06170ec3dc5c28/1.jpg" data-mid="246653126" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/791307d89c73961fae8adabd656da655d81cd69404fb7ae8ce06170ec3dc5c28/1.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/47e573d4c68a4b47f660e0e2c90e535a2f9ce43b550fda48cc3df3f65be0294b/2.jpg" data-mid="246653128" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/47e573d4c68a4b47f660e0e2c90e535a2f9ce43b550fda48cc3df3f65be0294b/2.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/0969c993e4301fdc839187535ec178637c4ccdd7a5812b0f478295b65e5519e7/3.jpg" data-mid="246653129" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/0969c993e4301fdc839187535ec178637c4ccdd7a5812b0f478295b65e5519e7/3.jpg" /&#62;THE END OF is a collection of poems about endings - the end of Le Bonheur, Japón, Rabbits, Starman, Geometria, The Vanishing, Canoa, Possession, Los Sures, Streetwise, And Life Goes On.
*
“THE END OF THE VANISHING”
&#38;nbsp;
A woman
waters
&#38;nbsp;
a prickly
bush
&#38;nbsp;
of little
white
&#38;nbsp;
flowers
before
&#38;nbsp;
beating
the children
&#38;nbsp;
in bad-
minton.

*
Author: Zachary Schomburg
Booklet, 22 pp, 7 x 5.25 inLanguage: English
ISBN: 979-8-9955954-0-3
Release Date: April 21, 2026
Publisher: The Economy Press

$13.50&#38;nbsp;
︎︎︎ Catalog
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	<item>
		<title>TALIESIN</title>
				
		<link>https://theeconomypress.com/TALIESIN</link>

		<pubDate>Wed, 25 Mar 2026 02:52:31 +0000</pubDate>

		<dc:creator>The Economy Press</dc:creator>

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	TALIESIN

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TALIESIN is an experimental look at the murders and fires that destroyed Frank Lloyd Wright’s personal home in Wisconsin. Details from Wright's life are set at the top of each page with visceral moments from the author’s life at the bottom. Images of the home and grounds are featured throughout.
*










As a child, Frank Lloyd Wright listened to his father play Beethoven on the piano late into the night, “Living seemed a kind of ‘listening’ to him . . . Sometimes it was as though a door would open, and he could get the beautiful meaning quite clear. Then it would close and the meaning would be dim or far away. But always there was some meaning.”
The spring I began reading Frank Lloyd Wright's autobiography, a coyote started following me on solo-hikes around Griffith Park in Los Angeles. He stayed far enough away that I wasn’t afraid. It was like he knew exactly how much distance allows two creatures to feel alone.









*

Author: Caitlin Lorraine Johnson 
Booklet, 42 pp, 7 x 5.25 inLanguage: English
ISBN: 979-8-9955954-1-0
Release Date: April 21, 2026
Publisher: The Economy Press

$18 
︎︎︎ Catalog
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	<item>
		<title>PRELUDE TO A PORCUPINE</title>
				
		<link>https://theeconomypress.com/PRELUDE-TO-A-PORCUPINE</link>

		<pubDate>Tue, 06 Jan 2026 06:04:08 +0000</pubDate>

		<dc:creator>The Economy Press</dc:creator>

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	PRELUDE TO A PORCUPINE




&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/9d2eed217f4e3ba9c6bc80efc51b8dacec7c48d93ea9cc94da33afc339ba7285/new-thumbnail-1.jpg" data-mid="243205454" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/9d2eed217f4e3ba9c6bc80efc51b8dacec7c48d93ea9cc94da33afc339ba7285/new-thumbnail-1.jpg" /&#62;&#38;nbsp; &#38;nbsp; &#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/e71bb733b72ba14b863aa27677c4b74edcbd3787514bd3de34d25070b8c08738/thumbnail-2.jpg" data-mid="243169997" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/e71bb733b72ba14b863aa27677c4b74edcbd3787514bd3de34d25070b8c08738/thumbnail-2.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/149e73992fe68d0220d6bb8d6d08ffaac9761d06ad83ae0839223e10c4f72bf7/thumbnail-3.jpg" data-mid="243169998" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/149e73992fe68d0220d6bb8d6d08ffaac9761d06ad83ae0839223e10c4f72bf7/thumbnail-3.jpg" /&#62;
“ESSAY ON TRAGEDY”&#38;nbsp;

Our lives are full of
indignities; 
it is good to have a lover. If
he happens
to also be a worker, he will
put his hands
to your lips late at night and
tell you not
to complain too much. You may
say
it didn’t have to be like
this, so much time
stolen, so much energy
extracted from
the flesh just to erect red
towers for people
you will never hear nor see.
And he will agree 
because he is exhausted too.
It is good
to have a lover who notices
the hawk 
swooping from a pine, even if
it holds
a rabbit with moth-eaten fur
in its talons, 
entrails spilling to earth,
who pours you coffee 
in the morning, who takes one
moment 
to listen and another to be
quiet. 






















Author: Sandra Simonds


Booklet, 38 pp, 7 x 5.25 in
Language: English 
ISBN: 979-8-9991646-9-8Release Date: January 13, 2026
Publisher: The Economy Press


$15&#38;nbsp;︎︎︎Catalog
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	<item>
		<title>NOTES</title>
				
		<link>https://theeconomypress.com/NOTES</link>

		<pubDate>Mon, 03 Nov 2025 09:12:37 +0000</pubDate>

		<dc:creator>The Economy Press</dc:creator>

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	NOTES





&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/895f70d78e1f7610a2d6b48ce86d20a5867aee07228a46280df1512493ef8e68/thumbnail-1.jpg" data-mid="241221695" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/895f70d78e1f7610a2d6b48ce86d20a5867aee07228a46280df1512493ef8e68/thumbnail-1.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/9c6b4b8e32ddf2093a937bd1fc42cb318f8d462f6364511a2a8e71d387194bd1/thumbnail-2.jpg" data-mid="241221696" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/9c6b4b8e32ddf2093a937bd1fc42cb318f8d462f6364511a2a8e71d387194bd1/thumbnail-2.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/1e17ddcb0f9adbb0977c169d8d2649da3a618777eb4adcfee8833d56cdd2003b/thumbnail-3.jpg" data-mid="241221697" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/1e17ddcb0f9adbb0977c169d8d2649da3a618777eb4adcfee8833d56cdd2003b/thumbnail-3.jpg" /&#62;







































In his first book since Before the Borderless: Dialogues
with the Art of Cy Twombly, Dean Rader turns his attention to music. Notes is a
collection of poems that listens to fugues, threnodies, and lullabies, as well
as Miles Davis, The Velvet Underground, and Prince—beginning with the poem “Creation,”
a response to Taylor Swift’s “Shake It Off,” which went viral after being
featured in The New York Times.













*

from “CREATION”
And on the eighth day, God 
was totally done with the
haters. Nothing
but complaints about acne,
mosquitos, 
unripe fruit. Where’s my
house? Where are my 



clothes? What’s with the
serpents? And so 
God did not bless the
eighth day. And 
she did not rest. And she did
not
see that it was good, in part
because



God’s boyfriend told her to
clean
up the areas around the swamps
and 
make more mountains. His best
work?
An asteroid. Whatever. Has he
even seen



firmament? She nailed it.
Beaches too.
And lord the animals. They
never shut 
up, but she doesn’t mind. They
are hers. 
And the color of the sky? She
invented 



 that. Same with fire, but
she’s saving 
the good stuff for later:
rain, earthquakes,
ice storms, lightning. Wait
till they hear
thunder. Now, that’s godly. A
reminder.







*
Author: Dean Rader
Booklet, 36 pp, 7 x 5.25 inLanguage: English
ISBN: 979-8-9991646-7-4Released: December 1, 2025
Publisher: The Economy Press

$15 ︎︎︎Catalog
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		<title>THE ORDINARY RILKE</title>
				
		<link>https://theeconomypress.com/THE-ORDINARY-RILKE</link>

		<pubDate>Sat, 15 Nov 2025 02:42:19 +0000</pubDate>

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&#60;img width="1832" height="2423" width_o="1832" height_o="2423" data-src="https://freight.cargo.site/t/original/i/2d74cec91f388581e2ffd2ca4bce444b5580da03cf5cbd2fc3613f540b443842/7-rilke-cover.png" data-mid="240668893" border="0"  src="https://freight.cargo.site/w/1000/i/2d74cec91f388581e2ffd2ca4bce444b5580da03cf5cbd2fc3613f540b443842/7-rilke-cover.png" /&#62;

	THE ORDINARY RILKE





&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/f273ae928bb14ab9fcef04ca9f3dccd9984ab464637b5d97e8dfdf4f2922ad13/1-thumbnail.jpg" data-mid="241221544" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/f273ae928bb14ab9fcef04ca9f3dccd9984ab464637b5d97e8dfdf4f2922ad13/1-thumbnail.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/7101e825693372ddf96b1f4d7e768f3faa6dbdb136009789c9e37ed80ea8e177/2-thumbnail.jpg" data-mid="241221545" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/7101e825693372ddf96b1f4d7e768f3faa6dbdb136009789c9e37ed80ea8e177/2-thumbnail.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/b1c57ddc16f51f0f169b8a26a814b5510d74baf83b3e9ba81cd9f9a32276b6d5/3-thumbnail.jpg" data-mid="241221560" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/b1c57ddc16f51f0f169b8a26a814b5510d74baf83b3e9ba81cd9f9a32276b6d5/3-thumbnail.jpg" /&#62;
Both homage and interrogation, Ernst Jandl’s der gewöhnliche rilke (written in the early 1980s) comically subverts the metaphysics of the great German-language poet, returning him to his ordinary existence while also acknowledging Rilke’s centrality to European modernism.
The mythic aura of Rilke is destroyed; what emerges is the Rilke of everyday life; what we discover is a new illumination, a new pathos for Rilke himself, in all the simple difficulty of being a body in space and time.
Jandl’s German original and Weiner’s English translation appear en face.
Author: Ernst Jandl

Translator: Joshua Weiner

Booklet, 52 pp, 7 x 5.25 in
Language: English / German
ISBN: 979-8-9991646-8-1
Released: December 8, 2025

Publisher: The Economy Press


$20 ︎︎︎Catalog
</description>
		
	</item>
		
		
	<item>
		<title>OFFICIAL DOCUMENTS</title>
				
		<link>https://theeconomypress.com/OFFICIAL-DOCUMENTS</link>

		<pubDate>Sat, 01 Nov 2025 23:44:00 +0000</pubDate>

		<dc:creator>The Economy Press</dc:creator>

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	The Economy Press&#38;nbsp; &#124;&#38;nbsp; About&#38;nbsp; &#124;&#38;nbsp; ︎ View Cart

&#60;img width="1832" height="2423" width_o="1832" height_o="2423" data-src="//freight.cargo.site/t/original/i/83b6eabf735baca872ff6bed59356726b37e112783b20d6c8827a36cdef56bad/7-fourth-trimester.png" data-mid="239093551" border="0" style="width: 254.034px; height: 335.985px; display: none;"&#62;&#60;img width="1832" height="2423" width_o="1832" height_o="2423" data-src="https://freight.cargo.site/t/original/i/0617d68a584e5df3df3a735f6104506cff367dcda86087c55e8cdf9c87337394/7-brighter-official-documents-cover.png" data-mid="240487468" border="0"  src="https://freight.cargo.site/w/1000/i/0617d68a584e5df3df3a735f6104506cff367dcda86087c55e8cdf9c87337394/7-brighter-official-documents-cover.png" /&#62;

	OFFICIAL DOCUMENTS



 

&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/de7e07c1f1e17d3f469c9b7bcba7e168cfaf220aa60df6b35dffeb423d33e8aa/1-od-spread.jpg" data-mid="240487313" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/de7e07c1f1e17d3f469c9b7bcba7e168cfaf220aa60df6b35dffeb423d33e8aa/1-od-spread.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/509c740ee34bd0c57c748a1988c639d758ff3b796611a256f8b2a73b801feaea/2-od-spread.jpg" data-mid="240487314" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/509c740ee34bd0c57c748a1988c639d758ff3b796611a256f8b2a73b801feaea/2-od-spread.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/298f19c4d2bf991782c9d9312ad66f1d72c613a50f5fe41fa0cd307cf7e00628/3-od-spread.jpg" data-mid="240487315" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/298f19c4d2bf991782c9d9312ad66f1d72c613a50f5fe41fa0cd307cf7e00628/3-od-spread.jpg" /&#62;

















HALLWAY ART



 This waiting room


is full of winners. When 


one undergoes atrophy,


the arrest goes on for


centuries. Literature on


violence. He’d like to


begin again, but


differently.
*“The poems of OFFICIAL DOCUMENTS are elegantly unruly: mercurial, musical, perceptive. Madeline Zuzevich touches us with a linguistic sleight of hand that is both tender and diagnostic. Her eccentric studies of speech and culture are simultaneous studies of detachment and intimacy; longing and belonging. The “official” doesn’t quite become unofficial, it becomes fishy, slippery, and all the more vital. Wry, sometimes dark, always charged and enigmatically precise, this is an unrivaled first book. Madeline Zuzevich is a remarkable new poet.”

















–Terrance Hayes
“Madeline Zuzevich’s poems come to us as if from a former time, a time when the poem, not the poet, was the product. Though the voice of the poet is strong and present, the stories she tells veer quickly away from our world into one very like ours, but much weirder. And in this world, it is the telling that is key. These poems are exciting because they are linguistically magical, and they are untethered from the world, while still delighting in the world’s mundanity. Recommended for all who delight in funhouse mirrors.” 

















–Matthew Rohrer
*








Author: Madeline Zuzevich

Booklet, 32 pp, 7 x 5.25 in
Language: English
ISBN: 979-8-9991646-6-7
Release Date: November 18, 2025

Publisher: The Economy Press


$15 ︎︎︎Catalog

</description>
		
	</item>
		
		
	<item>
		<title>FOURTH TRIMESTER</title>
				
		<link>https://theeconomypress.com/FOURTH-TRIMESTER</link>

		<pubDate>Tue, 07 Oct 2025 02:01:36 +0000</pubDate>

		<dc:creator>The Economy Press</dc:creator>

		<guid isPermaLink="true">https://theeconomypress.com/FOURTH-TRIMESTER</guid>

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&#60;img width="1832" height="2423" width_o="1832" height_o="2423" data-src="//freight.cargo.site/t/original/i/83b6eabf735baca872ff6bed59356726b37e112783b20d6c8827a36cdef56bad/7-fourth-trimester.png" data-mid="239093551" border="0" style="width: 254.034px; height: 335.985px; display: none;"&#62;&#60;img width="1832" height="2423" width_o="1832" height_o="2423" data-src="https://freight.cargo.site/t/original/i/de496b94228289ce280721cd6e1e33bf939143ce2cc8ec17872751cd00c8c814/7-fourth-trimester.png" data-mid="239093633" border="0"  src="https://freight.cargo.site/w/1000/i/de496b94228289ce280721cd6e1e33bf939143ce2cc8ec17872751cd00c8c814/7-fourth-trimester.png" /&#62;

	FOURTH TRIMESTER





&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/c24d8a3bdda26ebe0d36b574a1877897eed043efc79b0f300bc0c12208a3539f/1-fourth-semester-spread.jpg" data-mid="239258372" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/c24d8a3bdda26ebe0d36b574a1877897eed043efc79b0f300bc0c12208a3539f/1-fourth-semester-spread.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/1f49af9b5d339ec29b579384ead70cd30dd9d1e1db52c6b51dadcfa3450498e5/2-fourth-semester-spread.jpg" data-mid="239258373" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/1f49af9b5d339ec29b579384ead70cd30dd9d1e1db52c6b51dadcfa3450498e5/2-fourth-semester-spread.jpg" /&#62;&#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="5559" height="4262" width_o="5559" height_o="4262" data-src="https://freight.cargo.site/t/original/i/a79eeea15d5b1672cea56b128ef399085906fdf735989d46f14407f6806f9d9d/3-fourth-semester-spread.jpg" data-mid="239258374" border="0" data-scale="30" src="https://freight.cargo.site/w/1000/i/a79eeea15d5b1672cea56b128ef399085906fdf735989d46f14407f6806f9d9d/3-fourth-semester-spread.jpg" /&#62;What more can be said about the birth of a child? A lot, it turns out. Fourth Trimester, the latest book by the exceptionally gifted poet Caroline O’Connor Thomas, demonstrates that the deepest truths about this bizarre and beautiful occurrence can only be spoken in the language of metaphor. These poems are so strange and clear and generous and singular. If you are a parent, you will recognize the feelings in these poems. If you were born, you will understand something more about what it is like to be blessed and cursed with the maternal power to “make something of dust.” &#38;nbsp;
-Matthew Zapruder, I Love Hearing Your Dreams and How to Continue































*
from FOURTH TRIMESTER

I stood with you in the empty noise of the morning feeling for the impulse of your breath.


Above us, the peach white of another day growing—


I showed you the window, unsure if you saw.


I slow danced with my spectacle in the late July wind and sun.
I pleaded—


God give me memory of only this moment, this boring miracle.


This one, not all the others like it. This one.
*Author:&#38;nbsp;Caroline O'Connor Thomas
Booklet, 32 pp, 7 x 5.25 inLanguage: English
ISBN:&#38;nbsp;979-8-9991646-5-0Release Date: October 14, 2025
Publisher: The Economy Press

$15 ︎︎︎Catalog

</description>
		
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	<item>
		<title>Writings After THE SUBURBS OF EDEN</title>
				
		<link>https://theeconomypress.com/Writings-After-THE-SUBURBS-OF-EDEN</link>

		<pubDate>Tue, 02 Sep 2025 09:12:15 +0000</pubDate>

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	Writings After
THE SUBURBS OF EDEN

The writings collected here
were inspired by The Suburbs of Eden, an exhibition of Julie Speed’s
artwork on view at Ballroom Marfa from September 20, 2024, to February 2, 2025.






“I
have my pen and I’m heading towards those nice purple mountains near Fort Davis
and I’m thinking about Greece. Those two islands Fat and Far. Apollo had a foot
on each. The whole shape of the earth all its cliffs and craters and even the
sea have been explained to us in terms of giants. Big one-eyed people picking
up boulders and throwing them. I’m glad Marfa is so chill and disorganized that
whoever ordered us tied up is on some other mission entirely now. Nobody cares.
That’s why I love it here. But we grew up, I mean cultures did, I mean children
did thinking of the world as like made and shaped by somebody huge. I’m ready.
Even if I feel disastrously alone. Apollo stood on the two islands and he
wanted to help the tiny men in a boat. They were lost and he needed to give
them a sign. To show them the way. He threw a bolt of lightning at this island
which basically lit up and said here it is. Anafi means pretty much that. By
that time I had arrived at the most seductive and smoothest slope of this beautiful
mountain range. I doubted I would make it to the tomato factory tonight but I
began to draw.”
 (from “GIANTS IN MARFA,” Eileen Myles)






Contributors: Eileen Myles, Joshua Edwards,
Julie Speed,&#38;nbsp;Lynn Xu, Mo Eldridge, Zoe Kurland
Booklet, 48 pp, 7 x 5.25 inLanguage: English
ISBN: 979-8-9991646-4-3
Released: September 15, 2025
Publisher: The Economy Press

$18&#38;nbsp;
︎︎︎ Catalog
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